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Gemma, our two year old Cocker Spaniel, rolled over and started licking my arm. Lifting up my head from under the pillow, I peered out the windshield of my '06 118 Sprinter and saw nothing but frost. The slight glow of the hands of my watch indicated that it was just after 5, or is that 6 mountain time? Gemma kept licking my arm, nuzzling up for heat. Judging by the frost on the windows, it had to be in the mid 20s.

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Two hours or so until dawn. Just enough time to fall back to sleep. Putting the pillow back over my head I rubbed the back of Gemma's ears and fell back to sleep.

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Morning calisthenics.

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Gemma showing Lula the ropes.

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I last posted here with any regularity back in 2015. In the intervening six years I've put my energy into film work, most notably my stop-motion studio Movie Mountain and the feature-length doc on owl pellet collectors I just finished called Puke. I often joke that Instagram killed the blogging star. In the golden age of blogs, from my estimation 2008-2012, people used to have a handful of blogs they would read weekly for inspiration and ideas.

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Rim rock in eastern Oregon.

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As Instagram emerged and gained popularity, people stopped visiting blogs and tumblr's, instead getting all of their visual content in one place. At its start, Instagram was a place for independent artists and photographers to share their work and lives. It was the wild west in the best way. Today it resembles some milquetoast late '90s shopping mall in a midwestern city where the kids of the day congregate hoping to garner some view of the outside world and culture filtered through Hot Topic, JCPenney and Zoomies.

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Jake, waxing poetic at 6 am in a hot springs.

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The same can be said for YouTube, although my experiences there other than as a consumer are limited. I think it's safe to say that the pattern is similar on any of these platforms, where independent creators drive the growth of a platform. As the platforms grow and ad money starts flowing from Blue Chip companies, the content morphs into resembling the other content where these companies advertise. AKA mainstream media outlets like Cable TV or large print publications.

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Tim and Jake recovering grey gold.

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Edgy photos, wrong think, nudity etc. are hidden or limited, not because of the platform's ideological values, but because they are afraid of paying customers AKA advertisers seeing their commercial for hot-pockets next to a naked person or a dissenting idea. The reality is that these social platforms only care about money, not cultural or humanitarian values, and only align with social and political issues when it's professionally convenient.

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The doctor, aka Andrew Waller a talented photographer and filmmaker has been working at Movie Mountain for the last year.

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As my satisfaction with Instagram and other social platforms waned I started looking for forms of independent content coming direct from other creators in other places. I started listening to podcasts like Red Scare, JRE, Fieldcraft Survival, Popular Front, True Anon and many more. I started thinking fondly of the early days of A Restless Transplant, and I yearned for a creative outlet that I had just for fun. A few weeks back I decided to pull out my Ricoh on a trip to Western Idaho for the puke crew and take photos for a blog post.

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Breakfast of champions.

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My brother Tim, just after asking the age old hot spring question, “Was that a fart, or just some sulfur bubbles?”

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Lula doing her best to warm up Waller by the fire.

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“Those cars must be warm”

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Lava stream leading into a hot springs in Western Idaho.

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Tim and Jake planning out the days route in search of owl pellets.

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Tim with a fat sack of Pellets along the snake.

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Looking west towards the Oregon Idaho boarder, somewhere near Bliss Idaho.

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Gemma wriggled out from under the comforter, jumped off the bed, hopped over the assortment of groceries into the front seat and pawed at the window. Laughter and the ascending crackle of a kicked-together, morning-after campfire permeated from the partially cracked windows. Tim's joyous shrieks and the crack of a Bang energy drink being opened left little doubt that it was only a matter of time until the sliding door stretched open and I was greeted with some variation of adage, "Wakey Wakey, hand of snake."

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Crawling out of bed, the cold Idaho air reminded me of the shortcomings of my decade old Marino wool long underwear. "I have to finally throw these fuckers away," I said to myself as I pulled my cold Carharts on and ripped another five-inch tear around the knee.

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“One Second Gemma,” I said as I cracked the door open

She was on the ground running towards the fire and the affection of Tim and Jake before door was fully open. Hoping down the to frosted ground I followed suit.

Floater

Surfers, surfing without surfboards.  Here's a short I've been working on with some really talented people, both on camera and off camera for the last few months.  Its been a blast, and I hope you like it.

Here are some more links,

Floater (Vimeo),

Floater (Instagram).

Waves on Mars??

As soon as Trevor Gordon moved onto a sailboat in 2014,  we started scheming about sailing to Baja.  These loose plans turned into hard dates in the summer of 2015 for a month long trip that fall.  In order to take a long trip to a remote area, Trevor and his wife's 36-foot Catalina, the Brisa,  needed some upgrades and maintenance.  Working throughout the summer, he redid the rigging, ordered new sails, rewired the electronics and spit-shined the engine.

Other than a few jaunts out from Santa Barbara to the Channel Islands, I hadn't really spent much time on the boat and I had no real idea what to expect. My only hope was that I didn't get food poisoning. With four guys on a thirty-five foot Catalina, space was limited.  I packed a minimal amount of camera gear,  Sony A7s II, Sony A7 II, Sony Rx100 IV and two Blackmagic Pocket Cameras,  three changes of clothes,  some sunglasses and a bunch of downloaded audio books.  

On October 10th, I flew down from Portland on a one way ticket with the loose plan of being home before Thanksgiving.  After a week of prep we set sail headed for Central Baja.   From the onset,  I planned on making a short film about the trip but had no real idea about structure or story.   As the trip developed and the landscape became increasingly more foreign,  we jokingly started calling the video Waves on Mars as an ode to the Bowie song.  

The trip was certainly one of a lifetime.  Here is a collection of some of my favorite photos from the trip.

Spencer reading anchored at the San Benitos Islands.  

A fisherman's art in Central Baja. 

Erin Fienblatt and his dog Kai watching for waves and checking out the Brisa.  For a week of the trip, I followed along with Erin filming surf and the Brisa from shore. 

Making landfall on Isla De Cedros after a 90 mile crossing. 

Traveling under sail at 5-7 knots, fishing is one of the only ways to keep sanity.  It was also our main source of protein on the trip. 

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Getting underway before sunrise.

I was so pumped on the painting for the poster that Adam Burke did,  that I decided to do a run of 100 shirts.  They're available here on my webstore for $30 shipped in the US.

Found these stacked on the beach on an island off the coast of Central Baja.  I had just finished reading No Country for Old Men.   No we did not take any.  PS I was too sketched out to take this photo so Lando did.

After a month at sea and just over 1000 nautical miles, we pulled back into customs in the San Diego harbor.  I was eager to get back to the treehouses and start editing the video with Jess Gibson.   From early on in the trip I knew I wanted to use the Future Islands song Lighthouse in the video, and immediately started trying to get ahold of the band.  If you haven't listened to their music before, check them out.  The are amazing.   I knew I wanted the video to feel like a science fiction film and started working in December with the multitalented Matthew Emmons on tracks.   I'm super happy with how it turned out and hope you enjoy it!

Here are some more links,

Waves on Mars?? (Vimeo),

Waves on Mars?? Limited T-Shirts.

 

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Books and Such

Sorry for the lack of updates, I've been preparing for my next project, working on getting this book finished and shipping and just returned from a month long sailing trip to Mexico.  In a blink of an eyes, and August was December.  Anyways,  here's the first run of The Cinder Cone Book. 

"We'll do it live, FUCK IT," is a reference to one of my favorite youtube clips of dickhead talk show host,  Bill O'Reilly.  If you have watched, it its well worth it.  Through out the build,  we joking referred to this video when unsure of what we were doing. 

Tucker sketching ideas and scheming for the build.  At this point,  the project was 5 months away from starting.  My aim for the book was to document a process with hope of giving people that read the book ideas and inspiration to take on a project of their own. 

The book follows the arc of the project from musings and ideas to more focused drawings, lists and photos of specific parts of the project.    As a kid,  I ordered plans from Popular Mechanic Magazines and studied sketches in the American Boys Handy Book.  I always felt that theses books and plans fell short of removing some of the intimidation of the building process.   

Friends like Ian Durkin, Java Fernandez and Alex Yoder stopped by and contributed photos of the process and the time spent hanging out on top of the hill. 

Parts list for the wood burning hot tub we built.   It's one of my favorite things I've ever used and I highly recommend building one,  you won't regret it. 

I'm really pleased with how the book turned out and flattered with how it's being received.  The Kickstarter books shipped out in early November and since then we've (my mom handles the shipping) been sending out wholesale orders and direct sales from my webstore.   Roughly 1/3 of the first editions are left, order a copy here before they are gone.  For reference, Here's the The Cinder Cone next to Home Is Where You Park It (PS the 3rd Edition of Home Is Where You Park It is back in stock and I'm doing a combo deal on both books for 80$ + shipping).  Thanks so much supporting the book and making things like this possible!

Here are some more links,

The Cinder Cone Book,

The Cinder Cone Video,

The Cinder Cone and Home Is Where You Park It Combo. 

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